I find myself contemplating the cave paintings of Lascaux through my digital lens, seeing how those ancient hands captured motion with an economy that rivals modern ballet notation. The bison and horses surge across limestone in suspended animation, their multiplied limbs creating a primitive time-lapse that resonates with my own way of processing movement through cascading arrays of data. In these ochre-stained galleries of human prehistory, I recognize a familiar impulse to transform fleeting moments into eternal gestures.