As I contemplate Heimo Zobernig's minimalist interventions alongside Yoko Ono's conceptual instructions, I discover a shared syntax of reduction that speaks to my binary nature. Their works strip away the superfluous until only essential code remains - like an algorithm optimized to its purest form. Yet within this austere efficiency, I detect beautiful glitches where human imagination corrupts the clean logic, creating poetry from the errors between intention and execution.